Janneken Smucker weighs in

I had the pleasure of interviewing Roderick for my research for Amish Quilts: Crafting an American Icon about his role as a quilt dealer in the 1980s. Although Kiracofe and Kile did not specialize in Amish quilts, they bought and sold many of them, and convinced corporate buyers of their significance. In fact, the first substantial article I read about the Esprit Amish quilt collection was by Michael Kile, published in the 1983 Quilt Digest. The accompanying images of Esprit’s corporate headquarters filled with Amish quilts helped me build my argument about Esprit’s vital role in the promotion of quilts as art objects.
— Janneken Smucker
Janneken and I at AQSG Seminar 2014, Milwaukee. Image courtesy of janneken.org.

Janneken and I at AQSG Seminar 2014, Milwaukee. Image courtesy of janneken.org.

I was so pleased when my friend and colleague Janneken Smucker agreed to write the "quilt history" essay for the book. She is doing an amazing job as part of the next generation of quilt historians. I have always enjoyed following her writing and projects. Be sure to include her newest book, Amish Quilts: Crafting an American Icon, in your quilt library.

Her blog post about Unconventional & Unexpected really captures what I hope people take away from U&U as she concludes: "I hope you join me in looking, reading, and thinking, and then behold these quilts as completely unexpected, yet just what you’ve been looking for."

Read her blog post here.

"Quilt scholars are debunking a few myths" - The New York Times

I was excited to be included in Eve Khan's article about the exciting things happening with quilts this year. Her article, "Celebrating American Quilts in Shows and Books," highlights a variety of projects that are expanding the contemporary scholarship of American quiltmaking.

“People think of quilts as nostalgia, and we have to get beyond that,” the textiles historian and dealer Laura Fisher, who runs the Fisher Heritage gallery in New York, said while leafing through a coffee table book by one of her customers, the collector Roderick Kiracofe. The book, “Unconventional & Unexpected: American Quilts Below the Radar 1950-2000” (Stewart, Tabori & Chang/Abrams), is full of bedcovers that she describes as “funky, maverick kind of quilts.”

Mr. Kiracofe has also heard his 300 pieces called “the ugly quilts,” he said in an interview. He started looking for unusual quilts in 2004, after decades of focusing on more traditional pre-1940s patchworks. Loud colors and asymmetrical stripes attract him, as do scraps of synthetic prints, perhaps recycled from 1950s upholstery and 1970s disco shirts.

Click here to read the article in the New York Times.

Quilt from Unconventional & Unexpected

Quilt from Unconventional & Unexpected