I opened my mail today and found the catalogue for Losing the Compass.
Read MoreLosing the Compass | A new catalogue
House Quilt: A double take
The Quilt Alliance has kindly posted a clip of my talk from 2014 for Quilters Take Manhattan, where I discuss this House quilt that has the distinction of appearing in both Unconventional & Unexpected as well as The American Quilt.
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The Men Who Make It
I had the pleasure of having Where Women Create visit my quilt barn. You can see my work space in the Nov/Dec/Jan 2016 edition of this beautiful magazine in "The Men Who Make It" feature. Thank you for such a beautiful spread, WWC!
Patricia Belyea says: "Hang onto your hats!"
She writes about the “naive wackiness” of Found/Made at the San Jose Museum of Quilts & Textiles.
Read MoreLosing the Compass | Quilts at White Cube, London
I am pleased to share that two of my quilts are part of the exhibition, Losing the Compass, at White Cube's Mason's Yard space.
Read MoreThe Extraordinary Made From The Ordinary at the International Quilt Study Center & Museum
Sneak peaks of the exhibition at the International Quilt Study Center & Museum in Lincoln, NE
Read MoreFiber obsessions run rampant in The Wall Street Journal
“I always joke that fiber is my alphabet. I can say an unlimited range of things. It can be friendly or aggressive, very sexy or totally pure. It goes from the absolute minimalistic to this intricate, laced, chaotic world.”
I am thrilled to see this article in The Wall Street Journal. The art world's new obsession is fiber! It's very exciting to see so many Bay Area connections like Josh Faught who lives and teaches here and Margo Wolowiec who completed her MFA at California College of the Arts. I can relate to the desire to feel the fibers. They deserve all of this attention.
Read "The Art World's New Material Obsession: Fiber" in The Wall Street Journal here.
Clockwise from top left: A selection of fiber-based works by artists Sheila Hicks and Ann Cathrin November Høibo; ‘Nudes 9,’ one of Erin M. Riley’s selfie-inspired tapestries, made of wool and cotton; a work by Igshaan Adams; Graham Wilson’s ‘Tunnel Vision’ made with oil, twine and canvas; a work by Margo Wolowiec. Image courtesy of the WSJ.